先不说那些不开心的事了，那张图的视频能在线观看了，网址在这里：
http://www.oprah.com/video/200405/promo/tows_promo_20040503_qx_f.jhtml
主要都是Pitt，orlando的镜头可能只有几个几秒钟，所以如果网速快有时间急着看可以看看，不然就等明天出下载了再说。
还有一份澳大利亚媒体对Bana的采访，我还没看，不知道又没有关于orlando的内容，先贴出
http://sixtyminutes.ninemsn.com.au/sixtyminutes/stories/2004_05_02/story_1099.asp
Transcript: Eric the Great
May 2, 2004
Reporter: Charles Wooley
Producer: Sandra Cleary
Eric Bana.
INTRO — CHARLES WOOLEY: Unless my cinematic memory is playing tricks on me, movies were bigger when I was smaller. It was an age of epics, with the proverbial cast of thousands — movies like Ben Hur, Spartacus and The Ten Commandments. Well, the good news is they're back, bigger and better than ever. The latest epic is Troy, that fabled ancient stoush between the Greeks and the Trojans, and its credentials are pretty impressive. The storyline's from none other than Homer, the ancient Greek poet, and the cast of thousands includes Brad Pitt, Orlando Bloom, Peter O'Toole and, wait for it, our very own Eric Bana.
STORY — CHARLES WOOLEY: Three thousand five hundred years ago, the battle for Troy was the epic that begat all other epics. Courtesy of the ancient Greek poet Homer, this is a primal story of heroism and valour, lust and deceit. Eventually it would become a Hollywood movie, with modern-day heroes like Brad Pitt, Orlando Bloom, Peter O'Toole and, even further from home than those Greek invaders, Australian actor Eric Bana.
CHARLES WOOLEY: It must be quite extraordinary for you, little Aussie battler, right there on the plains of Troy surrounded by Peter O'Toole and all those other names.
ERIC BANA: It was. That wasn't lost on me. Not a day went by when I wasn't scratching myself saying, "This is just possibly one of the great stories of all time and one of the great opportunities," you know.
CHARLES WOOLEY: Eric Bana plays a co-starring role as Hector, the Trojan prince, against Brad Pitt's portrayal of Achilles, the hero of the Greeks, in the film by Wolfgang Petersen.
ERIC BANA: I read the script and loved it and I sat down in Wolfgang Petersen's office and he said (mimics accent), "So Eric, you read the script. You like it. So which character are you interested in playing?" I said, "Well, if I may say so, Hector." He said, "That's great, because Brad wants to play Achilles." In other words, if you want to play Achilles, you ain't playing Achilles. So it just all fell into place. Luckily I didn't want to play the same character as Brad and he didn't want to play Hector, so I was given the part.
CHARLES WOOLEY: Having so amicably worked out their roles between them, the two pals then set about bashing one another up.
ERIC BANA: We made a pact — 50 bucks every time you hit the other guy. Whoever hits the other person the most gets the purse. And I walked away with I think 300 or 400 bucks at the end of the Hector-Achilles battle, a tiny little scar on my nose and a few bumps and bruises, but, you know, we knew each other well enough not to be too concerned about it.
CHARLES WOOLEY: A few hundred bucks — that would supplement the small fee they gave you for playing the role.
ERIC BANA: Well, exactly, exactly. I should have declared it.
CHARLES WOOLEY: A world away, in the rolling green countryside of north-west Tasmania in the front seat of a racing car?When he's not fighting Bronze Age battles, this is how Eric likes to relax.
CHARLES WOOLEY: How did you get into racing?
ERIC BANA: I always loved it as a kid and then got my first car when I was about 14.
CHARLES WOOLEY: Is that the car you've still got?
ERIC BANA: Yeah, I've still got it. It's an old '74 XB Falcon coupe and me and my buddies just work on it in my spare time and it's been a bit of a project and a hobby and I just started racing that.
CHARLES WOOLEY: That would have been what was known as a hoonmobile.
ERIC BANA: It still is known as a hoonmobile.
CHARLES WOOLEY: Eric is a self-confessed petrolhead, a condition he says he contracted growing up in the Melbourne working-class suburb of Tullamarine.
ERIC BANA: It was all just about riding your BMX bike around the paddocks around Broadmeadows and Tullamarine to Keilor. It was a great place to grow up.
CHARLES WOOLEY: Eric's Tullamarine was an ethnic melting pot which he later recaptured in his first movie The Castle, in which he played Con, the Greek kickboxing accountant.
CHARLES WOOLEY: You didn't go to uni. Now your parents had spent quite a bit of money sending you to a private school. Were they a bit worried about this?
ERIC BANA: I think my mum and dad have always been a bit worried about me. I think it was a huge relief to them when I said I was going to be a stand-up comedian. I think most parents would have gone, "Oh, what?" But I think my parents went, "At last, something that he wants to do."
CHARLES WOOLEY: A career?
ERIC BANA: "A career! He could make 60 bucks a week! That would be incredible. He'll move out of home."
CHARLES WOOLEY: Stand-up comedy led to sketch comedy and it's here that we first got to know Eric Bana in the television series Full Frontal.
CHARLES WOOLEY: What essence were you looking for in your impersonation of Ray?
ERIC BANA: It's funny, because it always starts out with the best intentions of being, like, completely accurate. And then you just start getting really bloody silly with it and you end up taking this person who has some credibility and turning him almost into a kind of a clown figure.
CHARLES WOOLEY: Are you worried about hurting people's feelings?
ERIC BANA: No, not particularly, because ?no, no, cause that's not a healthy thing for a sketch comedy performer. You're only worried about not being funny.
CHARLES WOOLEY: Unexpectedly, Mike Willesee dropped in.
ERIC BANA (MIMICKING MIKE WILLESEE): You say ... that you never knew ... how it happened. But ... you did ... didn't you? And he would just leave it there...
CHARLES WOOLEY: Yeah, that's good, that's it.
ERIC BANA: ... and say nothing and the person would just kind of be going...(gives puzzled look)
CHARLES WOOLEY: Does he really do impersonations at home?
REBECCA BANA: Oh, yeah. I get everyone, Charles. We get them all. We'll be getting you later.
CHARLES WOOLEY: Eric's wife Rebecca has been his constant companion on the magic carpet ride to Hollywood.
ERIC BANA: I can't even put Rebecca on video at home and you've just got the first-ever television interview.
CHARLES WOOLEY: They met while Rebecca was working at Channel Seven as a publicist.
CHARLES WOOLEY: Tell me about the proposal. I believe it was very romantic.
REBECCA BANA: Well, we were in Aspen and we were skiing, which is my favourite thing in the world to do, and it was a beautiful, beautiful sunny day and halfway down a run, Eric said, "Becks, just stop for a minute". And he pulled out this ring and proposed to me and there was no-one around, which again is amazing for a skier. So it was beautiful. And I said yes.
ERIC BANA: Yeah, I proposed at 7000 feet. By the time I got to 2000 feet, the wedding was organised.
CHARLES WOOLEY: Filming the true-life story Chopper in the late '90s was a dramatic turnaround for a young comedian. This was much more than an impersonation of the notorious Mark "Chopper" Read. Eric delivered one of the most convincing and frightening performances in an Australian film.
CHARLES WOOLEY: Did you study him?
ERIC BANA: I did, absolutely.
CHARLES WOOLEY: Did you spend time with him?
ERIC BANA: Yes.
CHARLES WOOLEY: How much time?
ERIC BANA: A couple of days.
CHARLES WOOLEY: How did you work up the character and the voice?
ERIC BANA: I find the voices are pretty instinctual. The thing that helps when you meet someone is you get a sense of the rhythm. So initially you might think to yourself, "Jeez, I reckon I have a pretty good bloody go at the voice." Then you meet them and you start being able to get the rhythms, [mimics Chopper Read] you get the rhythms and you start working on it, you know what I mean? And obviously the more research you do and the more you look into these things, the stronger your performance gets. I know how to become other people. I don't necessarily know how to act.
CHARLES WOOLEY: If Bana's Chopper impressed the Australian critics, it also impressed Hollywood, in particular the big-time director Ridley Scott, who cast Eric in the war movie Black Hawk Down.
ERIC BANA: I remember the phone ringing at home and my wife saying, (whispers) "It's Ridley Scott." And much to my astonishment, he said, (mimics American accent) "Right, so I have this character, right, great, hoot, like you to play him. Do you think you'd like to do that?" and I said, "I think I'd really like to do that".
CHARLES WOOLEY: The next time Hollywood phoned it was to play the starring role in The Hulk for the Hong Kong maestro Ang Lee.
ERIC BANA: He's an amazing guy, Ang Lee.
CHARLES WOOLEY: Come on, I'm going for an impersonation.
ERIC BANA: Oh, uh... [mimics Ang Lee] "Eric, I think what we need to do is move the chin down a little bit and we do one more take." Seven hundred takes later, "Okay, it's good, it's good, we do one more."
CHARLES WOOLEY: I've enjoyed this because I feel like I've talked to many people.
ERIC BANA: Right, not just one person.
CHARLES WOOLEY: It's cheap television.
ERIC BANA: Yeah, you've spoken to everyone except for Eric. It's great. I've loved it.
CHARLES WOOLEY: You know that this is an investigative program, don't you?
ERIC BANA: Absolutely. I fully respect that.
CHARLES WOOLEY: And we never do an interview unless we've got something on someone.
ERIC BANA: Okay, bring it on.
CHARLES WOOLEY: You have been masquerading, I put it to you, under an assumed name for a long time now.
ERIC BANA: Right, right.
CHARLES WOOLEY: Can we know your real name, please?
ERIC BANA: Ooh, that's a tricky one. It's longer than Bana. Yeah, 60 Minutes.
CHARLES WOOLEY: Look, I'll try it myself, but I mightn't pronounce it properly.
ERIC BANA: You can have a crack.
CHARLES WOOLEY: Banadinovich.
ERIC BANA: Very close, very close. It's Croatian. Everyone goes "Bana, what is it? Is it Italian, is it Greek?" It's Croatian. Dad's Croatian.
CHARLES WOOLEY: Your mum's German?
ERIC BANA: Yes.
CHARLES WOOLEY: This is an interesting mix, really, isn't it?
ERIC BANA: It is! It's a good little cocktail. It provides some interesting genes. Yeah, definitely does.
CHARLES WOOLEY: The ancient Greeks believed that fame could be a curse. Take yourself too seriously, they said, and the gods will bring you down. So far no sign of that in the stellar career of Eric Banadinovich from Tullamarine. Ask him about success and he refers us to an earlier Australian film, The Nugget, about a bunch of ordinary blokes who strike it rich.
ERIC BANA: It's one of my favourite scenes, I think, in any movie, when Lotto takes all his friends out for dinner and you really know that something special has happened because he orders not one, but two Mongolian hotpots, and that's what it's comes down to for him. And I think no matter who you are, there are always those kinds of things that it comes down to.
CHARLES WOOLEY: I reckon you've got to the stage now where you can always have two Mongolian lamb hotpots?
ERIC BANA: Oh, I've sometimes ordered three.
CHARLES WOOLEY: Now that's success, isn't it?
ERIC BANA: You know you've really made it if you can order three Mongolian hotpots and a bit of rice on the side.
|
楼主: 风语冰音
发表于 2004-5-4 00:45:35
楼主
发表于 2004-5-4 00:51:03
