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[未確定]Orlando演出電影「桂冠詩人」

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1#
发表于 2011-2-13 21:42:05 | 只看该作者 回帖奖励 |倒序浏览 |阅读模式
這位上世紀20年代戰爭詩人兼愛情詩人的愛情關係為主軸的電影,開花演詩人男主角Robert Graves.

來源:http://www.telegraph.co.uk/cultu ... racy-new-light.html


Robert Graves film to show the writer in a racy new light

With his moving war poetry and heavyweight historical novels, Robert Graves is remembered as one of the most serious and respected writers of the 20th century.

But a new film about the early life of the poet and novelist is set to challenge that legacy, depicting Graves as a sexually adventurous bohemian embroiled in scandal.

The Laureate will feature the Hollywood star Orlando Bloom as Graves, whose most famous works include I, Claudius and Poems About War.

Set in Oxford and London in the 1920s, the film will focus on the writer's colourful private life, which saw him live in a ménage à trois with his first wife, the artist Nancy Nicholson and their four children, and his mistress, the American poet Laura Riding, as he struggled to make a living as a writer.

It will depict the group sharing a house in Hammersmith's St Peter's Square, then the bohemian capital of London known as "free love corner", where Graves, Nicholson and Riding were joined by the Irish poet, Geoffrey Phibbs.

While the exact nature of the foursome's relationships has never been established, the film will portray both men enjoying an open relationship with Nicholson and Riding.

The production will also show Riding's suicide attempt, which saw her jump out of a window, and Graves being questioned – but later cleared – by police over Riding's attempted murder, following the incident.

The film, described as "provocative" and "racy" by its makers, will begin filming later this year.

William Nunez, writer and director on the project, said: "At its core, The Laureate will be a study of intense relationships.

"People often forget that Graves was one of the great love poets, and this film charts his transformation from war poet to love poet, and how his progression into a bohemian, scandalous world helped feed that creativity."

William Graves, one of Graves' four children by his second wife, Beryl, and the executor of his estate, said: "While Robert had a rather puritanical and Victorian approach to his work, his life was fascinating and complicated during that period.

"I don't think there was an open, four-way relationship between them all, but then who was in bed with who is historically very difficult to check and I'm sure the filmmakers will use dramatic license.

"Many people remember Robert from his long period of decline towards the end of his life when he was going senile, so I hope this film might renew interest in his vast achievements before."

Despite their volatile relationship, Riding, who will be played by the actress Imogen Poots, is credited as being a major influence on Graves' most famous works, including his autobiography, Good-Bye to All That, published in 1929 and The White Goddess, Graves's study of poetic inspiration published in 1948, for which Riding is said to have been his muse.

She is also believed to have helped him recover from shell-shock, from which he suffered for more than 10 years after being badly wounded at the Battle of the Somme.

Graves's increasing preference for Riding over his wife eventually led to the breakdown of his marriage to Nicholson, who will be played in the film by Kerry Condon.

Riding and Graves later moved to Majorca and then the United States, but in 1939 she left him for the American writer Schuyler Jackson. In 1950, Graves married Beryl Hodge, and the couple lived in Majorca until his death in 1985, aged 90.

Miranda Seymour, the author of Life on the Edge, a biography of Graves, said: "People really only know two versions of Robert Graves – the young war poet and the mad old man on an island.

"This story is the yawning gap and will hopefully return people to a sense of him as a very modern and adventurous figure, not a war poet stuck in the past.

"He is a fine enough writer to rise above any scandal that will be depicted in the film."


來源2:http://blogs.indiewire.com/thepl ... drama_the_laureate/



Orlando Bloom & Imogen Poots To Star In The Period Drama ‘The Laureate’
Kerry Condon Also Joins, Dominic Cooper and Hayley Atwell Out

or a time at the beginning of the 21st century, it seemed that you couldn’t get a blockbuster period piece greenlit without the presence of British star Orlando Bloom. After breaking out as badass elf Legolas in the “Lord of the Rings” trilogy, Bloom turned up in “Troy,” “Kingdom of Heaven” and the first three “Pirates of the Caribbean” films—hell, even Cameron Crowe anointed him as the star of his contemporary rom-com “Elizabethtown.”

Unfortunately, we all know how that one turned out, and it became increasingly clear over time that Bloom’s performances were whittled from a mighty oak—sure, he could look pretty and swing a sword, but emoting? Not so much. Bloom’s now been pretty much absent from the big-screen for four years, outside of a brief cameo in “New York, I Love You,” and a role in the still-undistributed Mark Ruffalo-helmed “Sympathy for Delicious.”

But with three roles coming up in 2011, including a villainous turn in Paul W.S. Anderson‘s “The Three Musketeers,” and a reprisal of Legolas in “The Hobbit” looking likely, the Bloom comeback is in full force, and hopefully the actor has used his time away to, well, learn how to act. He’ll face his biggest challenge in a newly announced project, in which the actor will play legendary war poet Robert Graves.

Screen Daily announces that Bloom will topline “The Laureate,” a project from Media 8 (”Running Scared”) and writer/director William Nunez, which shows the love triangle between Graves, his wife, the artist Nancy Nicholson, and the American poet Laura Riding. The three lived together in Cairo and London in an open triangle for many years, until Graves began to favor Riding. Bloom will be joined by Playlist favorite Imogen Poots (the upcoming “Fright Night”), who’ll play Riding, and rising Irish star Kerry Condon (”The Last Station”), who’ll play Nicholson.

When the project was first announced at Cannes last year, the “Captain America” duo of Dominic Cooper and Hayley Atwell were attached, but both have fallen off due to scheduling conflicts. Director Nunez says that: “At its core, ‘The Laureate’ will be a study of intense relationships: what created them, what can undo them, what they encompass, what they can alter, and what they can’t.”

It certainly seems like there’s plenty of drama here to sustain a decent period drama (albeit one that sounds not unlike the John Maybury-helmed Dylan Thomas biopic “The Edge of Love” from a few years back), and Condon and Poots are certainly terrific actresses, even if Nunez is something of an unknown quantity, and swapping in Bloom for Cooper is something of a step down, to say the least. There’s no word on when filming will kick off, although Media 8 will start to lure buyers at the European Film Market next month.
2#
发表于 2011-2-13 22:31:00 | 只看该作者
中心归纳:
Orlando将会参演以写桂冠诗人Robert Graves的传记电影The Laureate,是比较靠谱的参演,只要能拍。
影片定调为“复争议性的”(多角恋情),“挑逗性”(可能有限制级画面?)
着重描写这位以写战争题材出名的诗人Graves传奇多彩的情史,这位诗人本来就以情史丰富,婚都结了好几次。不过此公乃是西方当代社会最有名最尊敬的诗人和散文家之一,在英国乃至世界文学史地位显赫,后代艺坛名人对他也推崇备至。
但这片子可能主要描述他和妻子(Kerry Condon扮演)及情人(Imogen Poots扮演)的复杂纠葛~~汗=.=

以下是网上转载的有关Graves的介绍(我真的不太熟悉此公,同时期的我只专注法国文学XD~所以有了解的亲请来普及一下吧)


  我特别喜欢的评论家Randall Jarrell写过一篇很长的文章,大大吹捧Robert Graves,有些实实在在的话叫人特别感动,比如:
  'To meet Robert Graves is unnecesary: all his life has transformed itself into his poetyr. The limitations of his poetic world come more from limitations of temperament than from limitations of gift or ability--anything Graves is really interested in he can do.' 可是我以前居然不知道Graves这个人呢.后来我借来他的<希腊神话>来看,才发现我们这里他的书满坑满谷,还不算他的传记. 我就借了他的一本诗来看,果然很有意思.他喜欢神话和神秘的东西,他最好的诗据说都是神秘主义的.不过诗集前面的简介更让我着迷,原来这是个有了新欢,然而她又跟别人好上了的倒霉蛋,一生经过无数社会和个人的变故和心碎的家伙.据说他的一生都写进了诗.他三十几岁就写了自传,Goodbye to All That(我以后肯定会去看这本书),哭着要弃绝这个世界.说不定我会成为Graves迷的.
  值得一提的是,Graves给孩子们写过书,他好象对童话神话有着特别的兴趣,而Jarrell亦然.他童年家庭不幸,长大后写了很多童话,也许当作献给童心的补偿.这些可怜的人.
  John Berryman我已经好久没读了,不过一直暗暗决心写一篇关于他的文章.现代诗人不只是他牛,只是他的一些特别经历让我难忘.他小时候妈妈有了外遇,要跟他爸爸离婚,结果弄得他爸爸开枪自杀了.那是他12岁的事.后来Berryman说这个童年的阴影终生未除,是父亲的死让他成为了诗人.他说得对极了.没有什么比亲人和家庭的惨痛更容易把人变成诗人或者作家.


英国当代名诗人格雷夫斯(Robert Graves)曾经说过,他用左手写散文,取悦大众,但用右手写诗,取悦自己。对于一位大诗人而言,要写散文,仅用左手就够了。许多诗人用左手写出来的散文,比散文家用右手写出来的更漂亮。一位诗人对于文字的敏感,当然远胜于散文家。理论上来说,诗人不必兼工散文,正如善飞的鸟不必善于走路,而邓肯也不必参加马拉松赛跑。可是,在实践上,我总有一个偏见,认为写不好(更不论写不通)散文的诗人,一定不是一位出色的诗人。我总觉得,舞蹈家的步行应该特别悦目,而声乐家的说话应该特别悦耳。


啊啊啊,重大发现(抱歉除了几个女作家,我实在不熟悉英国文坛)!!!
原来Graves就是写《阿拉伯的劳伦斯》的!!!
T.E. Lawrence, "Lawrence of Arabia," must have been a remarkable man. Though physically slight, he had a commanding presence. He was a great leader of men, all action in the field, but intellectual and scholarly as well.

In 1914 the Turks still ruled Arabia. Lawrence had wandered the Mideast for years, studying archeology and ancient fortifications. He was friendly with the Arabs, ideally suited to bring them into play against their overlords when Turkey sided with Germany in WW I. His success was publicized by Lowell Thomas and he became a legend.

He and Robert Graves were drawn together by their experience in the war and by their interest in literature and antiquity. It was natural that Lawrence would ask Graves to be his biographer.

找到了年轻时代的照片:


3#
发表于 2011-2-13 22:38:16 | 只看该作者
以下是找到片子的女主角,Graves的情人Laura的介绍:

  风因它的吹拂而苦 
  海因它的汪洋而伤 
  而火则因它的焚烧而烦忧 
  我则因现在的名字而受折磨 
  石头因它石头的性质而恼 
  如同光线因它的闪亮而忧 
  如同鸟被它的翅膀所束缚 
  我也因是我而苦闷 
  而所有的这些可有药能解? 
  如何始能不致和没有烦忧? 
  如何让这些在以後变得更好? 
  如何才可让我比我更多? 
 
  如何让痛苦世界成为 
  更大的世界和不再痛苦? 
  如何始能让古老的雨落下 
  更溼润而同时也更乾燥? 
  如何让自在的血液奔流 
  既咸而红但同时也甜而白? 
  如何让真实的我 
  再更多的尖叫和更多微笑? 
 
  可资依靠的已无其他奇迹 
  可资依靠的仍是同样已知的毒药 
  或靠著改善的痛苦 
  或靠著我们进一步的死亡   
  这是一首很棒的哲理诗,出自前代英美主要女诗人萝拉.瑞汀(Laura Riding 1901-1991)之手。她在1920年代即以诗闻名,为“逃亡者诗派”的主要角色,以田园哲理取胜。她後来赴英,成为英国文坛祭酒格里费斯(Robert Graves 1895-1985)的缪思女神及情人。她一生计出书四十馀册,包托诗、小说、散文、语言学论文等,被认为是廿世纪美国主要诗人之一。 
  萝拉.瑞汀的诗以哲理见长,不愿让诗沦为遮蔽真实的美丽文字游戏,这乃是她喜欢直指问题核心的原因。就以这首《风因它的吹拂而苦》为例,就有极深的意旨,任何事物都有它的特性,那是它的注定,它的局限,但也是它的焦虑和命运。风因它的吹拂而苦,我因为是我而受折磨,但风不可能变成不是风,我不可能变成不是我。我不可能像血一样,既要咸而红但同时又白而甜。这也就是说,我们不可能在我的命运之外去找另一个命运。这首诗最重要的是最後那四行,它提醒人们要勇敢的承认自己,面对命运,改善命运。没有奇迹可靠,也千万找那些大家都已知道的毒药。 
  风因它的吹拂而苦,谈的是哲理层次的问题,任何东西是甚麼就是甚麼,不可能变成不是甚麼,更不可能既要甜又要咸,甚麼好处都得兼。从承认自己是甚麼做为出发的记点,才是真正的生命勇者。这首诗的深刻意旨,不正值得此刻的我们深思吗?


4#
 楼主| 发表于 2011-2-13 22:53:30 | 只看该作者
Riding的詩很好啊,面對自已真是最困難的事情。
多謝小M的詩人介紹。
5#
发表于 2011-2-14 09:42:35 | 只看该作者
真的?不会又像上次《达芬奇密码》一样骗我们吧?期待中。。。。。。
6#
发表于 2011-2-14 11:10:23 | 只看该作者
开花努力给儿子挣奶粉钱了?
7#
发表于 2011-2-14 17:08:12 | 只看该作者
诗人啊!!!好激动!!!
8#
发表于 2011-2-14 19:36:54 | 只看该作者
诗人的内心世界往往十分复杂,充满各种变幻的情感,要演好一位诗人,真的很不容易。
希望这部电影可以制作成功,也期待开花精彩的表演。
9#
发表于 2011-2-15 10:47:18 | 只看该作者
诗人总是浪漫多情的,希望开花能应付
10#
发表于 2011-2-15 16:54:21 | 只看该作者
诗人原型长得也不错啊,而且MS没有留胡子?那么我们可以期待看到一个清靓白净滴开花了咩?捂嘴笑。。。。。
11#
发表于 2011-2-17 17:29:27 | 只看该作者
能成真就好
12#
发表于 2013-3-30 21:17:18 | 只看该作者
真的希望成真啊!!!这样我就可以明年看到他,后年也可以看到他~\(≧▽≦)/~啦啦啦
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